It was very exciting to see his grave. Of course, it was very, very different from the design of everyone else's grave and covered in lipstick kisses. I brought him a flower, a strange cabbage-like blossom, that I found at a local shop.
It's a beautiful cemetary, and massive. It was rainy and we were too tired to see it all, but we did see Edith Piaf's grave (not the one above, that's just some beautiful sampling of what was around us).
David had the escargot. I wanted to try but just couldn't get myself to do it. My stomach drew the line. He loved it, however.
We then walked to Sainte-Chappelle.
It was stunning. A private church made just for the king, and encased entirely in stained glass.
I am so glad we didn't miss this place. It was filled with people but there was a stillness, a silence of awe at the beauty of what we were seeing.
The chapel dates all the way back to 1248 and is in amazing condition. It is utterly shocking that it somehow survived the French Revolution. Some of the stonework outside was pulled down but somehow the people had the sense not to destroy this incredible work of art.
Our pretty subway entrance on the Bastille
We had breakfast on our last day at this cafe on the Bastille. We were fooled by the term "French Toast" on the marquis. When a plate of regular toasted white bread appeared at our table, we realized our folly.
We then went to take drooly pictures to remember the food at Le Notre.





We got lots of chocolates here to take to our co-workers. They were very happy. Here's the weird, bizarre happy ending to the Le Notre story: upon returning home and bemoaning our missing their food, we found out that, for reasons beyond my ability to comprehend, there is an official Le Notre bakery at the Paris Las Vegas resort, WHERE WE ARE GOING THIS VERY WEEKEND. So in but a few days time, we are going to get the exquisite luxury of gorging on these delicious baked goods. I really don't know if it'll be as good as the one in Paris but here's hoping.
The museum itself is just so beautiful, housed in an old train station and home of many of the great works of the Impressionist movement.
It would be impossible to list everything that held our attention at the museum, but one piece that come to mind is Rodin's Gates of Hell, which was just stunning. Next time, I'd really like to make it to the Rodin museum down the street to see the bronze version.
David sort of went insane over this bed. We fell in love with Art Nouveau then and there. The picture is alright, but there was something about standing next to this furniture that was absolutely electrifying.
Pompon! I utterly fell in love with L'Ours Blanc. He is so adorable and beautiful! What's even more amazing is learning that Pompon's technique involved carving animals in stone with exacting detail including all the nuances of fur, claws, etc, and then slowly smoothing the entire sculpture out until one is left with with the essence of the animal.
Want to see the essence of an animal? This sort of sums up how sick and tired poor husband was. I asked him to pretend he was feeling better and I got this:
Not all that convincing, in my opinion.
So we then made our way to the Quartier Latin to meet up with my "Uncle" Bob (he's my Uncle's brother) and his wife Luisa.
We then had an absolutely lovely Italian dinner nearby. It was wonderful to meet up with friendly faces on our trip. They regaled us with stories of how they met and the process of moving to France from the United States. We had a really nice time together. Bob walked us around the area a bit more and we then parted, walking through the bustling nightlife of the Left Bank and then making our way home.
This was our lovely apartment! It was beautiful, in a great area, and way better priced than a hotel.
View of kitchen
View of bedroom
Passed out. It was at this point that I realized there was no way we were going to be able to spend our last day going to Versailles. It would have just been too much. You win this round, Paris!


I waited very patiently through the tour and finally, feeling like Pee-Wee at the Alamo, had to ask where Box Five was. The guide was great and while pointing it out, started to tell the tale of the Phantom and a young singer named Christine.
We had a really wonderful Louvre-going experience, even though we were utterly exhuasted and sick. We made it through every wing and covered most galleries, all in an afternoon. Some standout pieces for me were Delaroche's La Jeune Martyre and Delacroix's Liberty Leading The People, among many, many others.
We had this amazing experience where we were extremely tired but decided to go through one more gallery. It was very late and there was almost no one left in the entire museum. We got to the very last room at the end of the very last hallway, when we heard some young people discussing a painting. This painting, in fact. Rousseau's L'allée des Châtaigniers, the Alley of the Chestnuts. They were speaking in an elevated manner and we soon realized they were actually actors performing guerilla theatre. They were there simply to discuss and praise the painting. As our attention was drawn to it, we were pulled further in to its mystery. That link does it absolutely no justice. It's a dark, sprawling piece that pulls you in and takes you down the Road Less Travelled. Because they were speaking in French, we only caught pieces of what they were saying technically, but the tone was what was important. They seemed to speak of the human condition, of finding life and light in the darkness, and loving the mystery of what lies ahead on that long, beautiful path.
We left feeling blessed and exhilarated by that perfect moment of happenstance and synchronicity.
After our daily heavy doses of pain au chocolat, croissants, and quiche from our local patisserie, we did the last part of our bus tour to the Montmarte area of the city.
This is Sacre Coeur, the basilica at the top of the hill. It overlooks all of Paris and has a fascinating history dating to the time of the Paris Commune when people were starving in the streets and hunting rats for food. Yum! These are the steps where Amelie courts Nino.
The view from above. The hideous black tower in the upper right is the Montparnasse Tower and is a blight on the city. I snarled every time I saw it. Anyway, it was lovely to be in this neighborhood, which is considered the bohemian area. I would have liked to have spent much more time here, especially for the shopping, but David was really struggling with the sick and it was cold and rainyish. I did get an amazing ring and earrings from a local designer here. It is sort of the Los Feliz of Paris but about 10,000 times cooler because it is in Paris. We also got to witness the very aggressive Nigerian string bracelet scammers here.
We then made our way back to the Paris Catacombs. This was just so amazing and I highly recommend making a special trip to see this. It starts by what feels like a never-ending staircase going down, down, down to what feels like the core of the Earth. The journey begins with these carvings of buildings from memory that were done by the makers of the ossuary in the late 18th century.
You then walk for what feels like miles and miles through corridors and passageways under the city. There are vast networks of these corridors that can't be seen by the typical tourist that span the length of the whole city. Some day I hope to meet someone who will show them to me.
The black line on the ceiling dates to Victorian times when tourists would come down to see the ossuary. They'd follow the line through the tunnels. The line would bring you here...
In the late 18th Century, the cemeteries were overflowing, so the dead of Paris were brought here and arranged elaborately, forever interred as a nameless, faceless collective of beauty and wonder.
The camera DID NOT want to take pictures down here! We got very few. We were also being quickly shepherded along by some dark and strange gentlemen who were trying to close the place and wouldn't let us linger. We had to go quickly through the entire bone section. Looking back on it, this was probably a small blessing, as the enormity of what was taking place was somewhat overwhelming.
People must leave their own marks.
Then, as suddenly as it began, you climb up, up, up, and out into the ordinary outside world. The only evidence of the place is this non-descript door on a side street marking your exit.
We actually saw the famous ring scam being performed on some unwitting tourists right before our very eyes. It was awesome!
Le Jardins Du Luxembourg. Unfortunately, this was the most we saw of it. We then tried to go to the Catacombs but they were closed. Also they don't make it easy to find the entrance. Which is kind of neat and adds to the intrigue.
The look of finally making it to one's personal mecca.
The ballet was absolutely stunning. The dancers were all just breathtaking and the pieces were all really interesting. The stage is absolutely enormous. I could have stayed in that box forever.

"Oh, to-night I gave you my soul and I am dead!" Christine replied.
On Sunday morning, after gorging ourselves at the local boulangerie (HELLO, PAIN AU CHOCOLAT!), we got another hop-on, hop-off bus tour for Paris. Unfortunately, poor David had gotten the cold I had, so it was his turn to be sick. It was much more difficult to find herbal remedies in Paris than in London, partly because of the language barrier ("Je...veux...la...vitamine...C?"). But we forged ahead.

And then...this. This is the part of the story I probably can't explain very well. There is a lot to this. This is years and years and years of buildup. This is about nineteen years of longing and hoping and wishing to see this place, and then finally actually doing it was so surreal. It's like it was an abstract concept in my mind that finally became a real, manifest one, and my brain sort of broke. A flood of emotions of every variety hit me in this moment of finally seeing the Opera Garnier. It was a huge release followed by what I can only describe as a new, blank slate. I have done the thing that was in the back of my mind nagging me for my entire adult life, and now the whole world is open to me. There was this incredible sense of release and newness and letting go. I felt my mom very closely in that moment.
Anyway, we didn't go in that day. I couldn't even really properly think straight or look at it closely. David had to take me to a cafe and make me sit for a while and sort of process. I felt like a robot with circuit overload.
We then made it just as the sun was setting to Notre Dame cathedral.




We were fortunate enough to be there as a huge mass was taking place.
It was absolutely stunning. I have never in my life been so spiritually lifted and affected by a church's architecture. There is a reason this is the ultimate gothic cathedral (quiet, Chartres, we haven't seen you yet).
Our first full day in Paris ended with being serenaded by an accordian player on the bridge over the Seine.
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